Wednesday 18 July 2007

Stage Angst

My clients have so many different anxieties about their money, but some are more peculiar than others.

D is an actor, middle-aged and British, who a few years ago went from penury to moderate affluence when he was given a part in a big-budget Hollywood movie. To be honest, I took him on in expectation of further parts with bigger paycheques, but he went around grandly telling people he was a stage actor and wasn't interested in mass market celluloid, and regrettably the studios took him at his word. He soon became one of those awkward clients who simply wasn't rich enough to justify the time I had to give him.

Until last year.

Bizarrely, he was approached, on the basis of his Hollywood role, to star in a rather saucy series of TV advertisements in a certain Latin American country. It seems the film has achieved a kind of cult status there, with his character especially adored. The remuneration was, shall we say, hefty, and his portfolio is now really quite respectable - and lucrative to the bank. Now, of course, he wants to spend a few million on a house and a yacht, perhaps some horses, and here we come to his particular problem.

No one in England knows about the Latin American advertisements.

D is revered, apparently, in the London theatre world. I've been to a couple of his plays, more out of duty than desire, but I couldn't tell you if he's as talented as they say. Nevertheless, he assures me that he will be the laughing stock of Shaftesbury Avenue if his peers learn he has sold out to a foreign clothing company. The Hollywood movie was accepted by all as an ironic gesture (whatever that means). The ads most definitely won't be.

So - how to explain the sudden riches?

D's whole persona is founded on the basis of lofty talent, not wealth. In public, he scorns luxury and makes a point of wearing shabby clothes and eating in substandard restaurants. It's a dreadful bore having to meet him for lunch in some faux-Napolitan dive. But now that he's rich he's suddenly seeing the attraction of the country manor and the roar of a premium marque car. He wants the good life he's never had, and is terrified he will be found out the moment he reaches out and takes it.

The solution, in his opinion, is to reverse engineer a spectacular portfolio, to explain how he's turned his modest Hollywood fee into such splendid riches. Investment genius is acceptable, if not admirable, in the Green Room. So this is how I am having to spend my afternoon: going back through the past few years and picking out the most extraordinary equity performers, the cleverest derivative plays, so that D can sit at his manor dinner table and airily explain to his thespian friends that it was all a matter of inspired investment.

Apparently he is rendered almost entirely naked in the final advertisement. I shall be scouring YouTube one of these days.

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